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The visuals in the film accompanying his own narration are almost entirely animated. He uses re-enactments, archival footage, special effects, super-8 home movies of Petit practicing in his backyard and set construction to stand in for the roofs of the towers. It is all of the above. But by examining the work of those filmmakers who have been pushing the boundaries of documentary conventions since the dawn of motion picture creation, we can learn and be inspired to find our own voices as docufiction storytellers.Docufiction is not docudrama, where professional actors assume the characters of real people and where, often, costumes and sets are designed to transport the audience to the era during which the story takes place. Used to introduce various topics to children, they are often used with a school lesson or shown many times to reinforce an idea.In this style, there is a host who appears on camera, conducts interviews, and who also does voice-overs.This form of documentary release is becoming more popular and accepted as costs and difficulty with finding TV or theatrical release slots increases. which give up control of the events being filmed.3 The most famous definition, and still one of the most serviceable, is John Grierson's, "the creative treatment of actuality. As with any art form, film truth in docufiction is subjective and the filmmaker will communicate that truth, that reality, in her own unique and creative way.Speaking of animation, how is this for “creative treatment of actuality”? The screens are held for about 5–10 seconds to allow adequate time for the viewer to read them. [image:magazine_article:58944][image:magazine_article:58945]The earliest fiction films were simply recordings of theatrical plays captured by a locked-off camera in a single wide shot of the stage. The first excludes character studies and city symphonies, the second includes allegorical fiction films In his myth-making doc, Swedish filmmaker Bendjalloul uses animation to fill in the holes in what was known about the singer’s life. All these elements are propelled by a powerful and dramatic music score, just as they would be in a fiction thriller.Much of that innovation includes mashing up documentary and fiction elements to produce the hybrid cinema form, docufiction.Docufiction films are not new and there is no how-to bible for making them. A documentary film is a non-fictional motion-picture intended to "document reality, primarily for the purposes of instruction, education, or maintaining a historical record" - compare documentary theatre. Historical documentaries in this mode deliver an unproblematic and "objective" account and interpretation of past events.There are several challenges associated with translation of documentaries. "4 None of these definitions is completely satisfactory. We’ve all seen the classics of early cinema: Eadweard Muybridge’s “Motion Studies” of horses; “Workers Leaving a Factory” by the Lumiere brothers; the early travelogues of Burton Holmes who was credited with coining the term; and so-called “city films” such as “Berlin: A Symphony of a Great City” by Walther Ryttmann.Flaherty’s manipulation of reality to achieve “authenticity” in “Nanook” was indeed “a creative treatment of actuality” as Grierson put it.

Rogosin shot in the streets, as well as in the flop houses and bars in which his protagonists eked out the day-to-day of their lives. But he didn’t remember any of it until he reunited years later with his army buddies who put the puzzle pieces together for him. Méliès mashed up live action with animation, imaginative handcrafted sets and artscapes lovingly color-tinted, by hand, one frame at a time.