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He changed his name (James was his grandfather’s name, Fletcher Hamilton his father’s) in 1916 when he entered Atlanta University, from which he graduated as a chemistry and math major. 1897-1952 / Bandleader, arranger, pianist. His mother, a teacher, taught him and his brother Horaceto play the piano. His father, Fletcher Hamilton Henderson (1857–1943), was the principal of the nearby Howard Normal Randolph School from 1880 until 1942. Harlem Renaissance Musicians: Fletcher Henderson: Fletcher Henderson (1897 - 1952) was a great Jazz musician, playing the piano as a composer and arranger and as a pioneering band leader. He began lessons by the age of six. Fletcher Henderson: 'Architect of Swing' During his orchestra's heyday, Henderson pioneered musical ideas which are now taken for granted. Henderson was born into a middle-class family; his father was a school principal and his mother a teacher. Multimedia. Van Vechten’s previous fiction stirred up interest among whites to visit Harlem and take advantage of the cultural and nightlife there.The cultural boom in Harlem gave black actors opportunities for stage work that had previously been withheld. He grew up in a middle-class African-American family. The riot was a death knell for the Harlem Renaissance.The Harlem Renaissance was the development of the Harlem neighborhood in New York City as a black cultural mecca in the early 20th Century and the subsequent social and artistic explosion that resulted. Countee Cullen was 15 when he moved into the Harlem home of Reverend Frederick A. Cullen, the pastor of Harlem’s largest congregation, in 1918.With the groundbreaking new music came a vibrant nightlife. Lasting roughly from the 1910s through the mid-1930s, the period is considered a golden age in African American culture, manifesting in literature, music, stage performance and art.The music that percolated in and then boomed out of Harlem in the 1920s was jazz, often played at speakeasies offering illegal liquor. He also earned respect for jazz from the national public and from the Talented Tenth, who often disregarded jazz tunes for not being "serious" music.When arranger Don Redman joined Henderson, their combined genius helped usher in the Swing Era's "big-band sound," which featured complex exchanges among the reed, brass, and rhythm sections—a significant advance from the traditional jazz reliance on instrumental solos.In January 1924, he landed a job at a well-known dance hall, the Roseland Ballroom. One example is his 1926 arrangement of "The Henderson Stomp," which featured Fats Waller on the piano.