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Red Pencil Direct. They described Kodachrome as nothing more than a moderate-speed, extremely fine grained film for daylight shooting. But what made it so phenomenal?Hi Robert! Related searches: Narrow your search: Black & white | Cut Outs. Editing usually resulted in a pile of bad transparencies on the floor. What caught my eye was the license plate…What was the real kicker was that in the development the image did a silver image of exposed silver hailides afterwards the color dues were exposed individually and then developed. But now Kodak has ektachrome back! Nothing I’ve seen captured with Kodachrome can’t be bettered by digital. I used my f3 through college and it just recently bit the dust on a camping/hiking trip. This was at the time when everybody was using a dslr and I was probably laughed at for buying an f3 (tech from 1980) If I remember correctly I bought it as my first non point and shoot. No other film could make such true, vivid images. Make washed out cibachromes from it? When Kodak switched to the far inferior Kodachrome 25, my family was very disappointed/distraught (my brother was a professional photographer) and said that Kodak was on a downfall, which did come true. Wow — so fast it almost ran you off the road. “Brilliant, natural colors.”I meant 36-count yellow slide boxes, but whatever man I have a lot of them. Kodachrome is gone forever!Great memories. So any time I hear photo geeks of a certain age wax poetic on Kodachrome, I have to wonder, was it really so good?If you get a chance however, I wouldn’t hesitate to snap up a roll of late era Kodachrome to snap away and send off to Mr. Fuller for his color process of it. shots of the Grand Canyon throughout the day from sunrise, through high noon, to sunset; nothing else could have brought out the colours and textures, and every one was exposed beautifully. Curious as to which ones are the ASA 10! Of course compared to Ektar it has quite a narrow exposure window but I find it so much easier to get good colour balance scanning results from reversal film.
Just need a Time machine to bring rolls from the past, shoot them now and back to the past for development.As a travel film it had a good “workflow.” A friend of my parents would shoot it out on the road during vacations. With 96-135 lines per millimeter, it landed right in the middle of Kodak’s resolving power scale. When I did shoot color film, it was mostly Kodachrome. This really is what separates this site from others.I shot thousands of slides on Kodachrome in 1970’s to 1990’s and stored them in cardboard boxes and Kodak Carousel slide trays. Scan it with a digital camera and then claim its colors can’t be captured by digital? Keep up the good work with the site!I’m not sure that I can ever match the quality of these images with a digital camera.Kodachrome. Binders full of slides now, still lovingly stored. He also gave them a three-year deadline to come up with a finished and commercially viable product.For professional uses, where duplication is expected and required, a special version, Kodachrome Commercial (KCO), was available in a 35 mm BH-perforated base (exclusively through Technicolor) and in a 16 mm base (exclusively through Eastman Kodak's professional products division). Some happened to be double rainbows that showed, well you know the saying…. The Kodachromes remain bright and crisp with vivid colors–almost the same as they day they were shot!Feel free to link to his dev service. They have survived many changes in residences and temperatures ranging from freezing to a 100 degrees in garages and store rooms. by rochpaul5. During exposure. It was incredible. I’m about to send my second roll off to him today and look forward to seeing the results.