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What’s more, you can rotate and tilt the latter freely without the fear of moving or touching the cables connected on the side of the body. As a further convenient touch, the LUT in use is displayed on the camera monitor. This choice of moving away from XQD cards will meet the favor of many of us that already own plenty of SDs, but we must note that the XQD was a great media to record to, surely tougher than the SD.Nevertheless, there are a lot of small details that show how much thought has gone in the design of the DC-S1H, and how much the feedback of users has been heard.Almost all the specs we would expect from bigger and pricier cameras have been shrunk into this small body, thus making our filmmaking workflow every day a little bit easier.

Most users won’t necessarily need to deliver projects to clients in 6K resolution, although shooting in high resolutions means you have plenty to work with when editing the footage to a 4K crop.Taking a leaf out of the GH5's spec sheet, Panasonic has included its Dual Native ISO system in the S1H as well.
Visibility is superb even in bright sunlight, with response times fast enough for time code counts and audio monitoring.The in-built five-axis stabilization of the S1H is pretty good when it comes to keeping footage smooth when shooting handheld, but combining this with the two-axis Optical Image Stabilization of OIS lenses gives the cinematographer the ability to shoot without using a gimbal if necessary. Can you imagine what we’ll get next?This approach of dividing the lineup may seem similar to what Sony was doing with the Alpha series, but Panasonic actually went down a very different route. That said, autofocus (AF) does suffer a little in poor lighting. This item PANASONIC LUMIX S1H Digital Mirrorless Video Camera with 24.2 Full Frame Sensor, 6K/24p Video Recording Capability, V-Log/V-Gamut, and Multi-Aspect Recording PANASONIC LUMIX GH5S Body 4K Digital Camera, 10.2 Megapixel Mirrorless Camera with High-Sensitivity MOS Sensor, C4K/4K UHD 4:2:2 10-Bit, 3.2-Inch LCD, DC-GH5S (Black) In a nutshell, it seems to be almost the perfect camera: custom-designed body, Dual ISO, 6K recording, unlimited rec time, sensor stabilization… Seems too good to be true. It is for some time now that Panasonic is moving in a parallel direction by bringing to the market a photo orientated camera first and a few months later, a video-oriented sibling (on the Micro Four Third front we could see this done with the Panasonic G9/GH5/GH5s).Now the same procedure is being repeated with the Panasonic S1 and S1H. That alone puts it in a completely new league, far away from other mirrorless competitors.The big boasting feature that probably caught everyone’s eye is the 10-bit 6K recording. The image sensor can leverage a dual-base ISO setting, resulting in minimized noise and outstanding image quality from low to high sensitivity.

Out-of-camera JPEGs are pinpoint sharp, with great color and skin tones. It’s also what you’ll need if you’re shooting something for Netflix, using a maximum All-I 400Mbps bitrate that is only available for 4K and DCI 4K at up to 30fps.It’s already got Netflix’s blessing and that, in itself, speaks volumes.


The LUMIX S1H is the new full-frame mirrorless camera that delivers cinema-quality video.Featuring an incredibly rich color profile, C4K/4K 30p/25p/24p 4:2:2 10-bit video is recordable in-camera.