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But certainly Miami, which is a very young town as well, was built on the labour of Bahamians, Haitians and Cubans. She lives and works in Brooklyn, NY.Teresita Fernández is a contemporary American artist best known for her prominent public installations and experiential large-scale sculptures that evoke striking landscapes. And how, as a young artist, I was very much unravelling these notions of the viewer navigating and way-finding on all of these different levels that are physical, and immersive, like you mentioned before, but also metaphorical and poetic.
In some cases, I was pleasantly surprised and found works in the show that felt very fresh and connected to the work I’m doing now, especially conceptually.I was also surprised to see how well some of them had held up. Teresita Fernández, an artist of place, brings her art home to Miami The MacArthur award-winner revisits her early works with a large-scale survey in the city of her birth But I always said that my connection to architecture had to do with human scale. It was an installation that you could walk inside of… it was immersive and had windows and reflections. It referenced a design by the Austrian architect Adolf Loos for a house that was never built for Josephine Baker. They’ve never been seen in that way.Yes. She uses gold and other minerals often tied to history, land, power and colonialism. Appointed by President Barack Obama, Fernández was the first Latina to serve on the U.S. Commission of Fine Arts, a 100-year-old federal panel that advises the president and Congress on national matters of design and aesthetics. It had to do with that immersive component, of you as a viewer being immersed in a spatial context and negotiating that.

Teresita Fernández focuses on characteristics of landscape as they relate to layered histories and materials. From San Francisco Museum of Modern Art (SFMOMA) , Teresita Fernández, Fire (2005), Silk yarn, steel armature, and epoxy, 96 × 144 in I hadn’t seen the piece for 20 years, so it was a delightful moment to be able to pull it out of storage and install it again.You can remove yourself from the list at any time by clicking the “unsubscribe" link in the newsletter.Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.In 1996, I was part of the inaugural exhibition at what was then referred to as North Miami MoCA. So, this expansive sense of a Caribbean presence in the city goes back a long way.Our daily newsletter contains a round-up of the stories published on our website, previews of exhibitions that are opening and more. I was very much a sculptor, a conceptual artist, whose practice was rooted in sculpture. As a subscriber, you will also get live reports from leading art fairs and events, such as the Venice Biennale, plus special offers from The Art Newspaper.It’s a kind of exercise in mining one’s past. Absolutely. I created a site-specific installation that looked like an empty swimming pool. They have a lot to do with imagining and projecting oneself into different scenarios and spaces.So, I’ve taken a lot of old works, arranged sort of by period of time, but also by themes—such as subterranean, nocturnal, radiance, different sorts of visual cues.
The idea of unravelling a space by tracing the geometric patterns with your moving body, which is essentially what you do when you’re moving through one of those shaped parterre hedges at places such as Versailles or the Château de Vaux-le-Vicomte. Often inspired by natural wonders, Fernández frequently places importance in her choice of medium, employing gold, graphite, and other minerals that have complicated histories often tied to colonialism. She is a 2005 MacArthur Foundation Fellow and the recipient of numerous awards including a Guggenheim Fellowship, an NEA Artist's Grant, and a Louis Comfort Tiffany Biennial Award. They reference 17th-century formal gardens, as well as Japanese traditional gardening techniques that have to do with distal cues. Miami is an immigrant city built on the labour of immigrants and black and brown people.