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Editorial Reviews. Multiple Elements Hip-Hop / Rap / R&B. Main genre: Jazz / Blues. Skip to main content. - Live at 'The Club'(C) 1995 Capitol Records, Inc. ℗ 1995 Capitol Records, Inc.Buy an album or an individual track. You are currently listening to samples.Roy McCurdy, Drums, AssociatedPerformer - Nat Adderley, Cornet, AssociatedPerformer - Sweet, Mastering Engineer, Remix Engineer, StudioPersonnel - Jon Hendricks, ComposerLyricist - David Axelrod, Producer - Cannonball Adderley, Alto Saxophone, AssociatedPerformer, ComposerLyricist - Joe Zawinul, Piano, AssociatedPerformer - Cannonball Adderley Quintet, MainArtist - Victor Gaskin, Double Bass, AssociatedPerformer© 1995 Capitol Records Inc. ℗ 1995 Capitol Records Inc.Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.Copy the following link to share itListen to this album in high quality now on our apps(C) 1995 Capitol Records, Inc. ℗ 1995 Blue Note RecordsDownload the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.The downloaded files belong to you, without any usage limit. - Live at 'The Club'Listen to this album and more than 50 million songs with your unlimited streaming plans.Enjoy this album on Qobuz apps with your subscriptionRoy McCurdy, Drums, AssociatedPerformer - Nat Adderley, Cornet, AssociatedPerformer - Sweet, Mastering Engineer, Remix Engineer, StudioPersonnel - David Axelrod, Producer - Cannonball Adderley, Alto Saxophone, AssociatedPerformer - Joe Zawinul, Piano, AssociatedPerformer - Josef Zawinul, Composer - Cannonball Adderley Quintet, MainArtist - Victor Gaskin, Double Bass, AssociatedPerformer Good, but short CD containing "Mercy, Mercy, Mercy", a rare big jazz hit (#11 on Billboard in 1967). The hoax was meant to publicize a friend's nightclub venture in Chicago, but Adderley actually recorded the album in Los Angeles, where producer David Axelrod set up a club in the Capitol studios and furnished free drinks to an invitation-only audience.

Julian Edwin "Cannonball" Adderley (September 15, 1928 - August 8, 1975) was a jazz alto saxophonist of the hard bop era of the 1950s and 1960s. Mercy, Mercy, Mercy! There are of course the likes of Mary Lou Williams, Jaimie Branch, Geri Allen and Alice Coltrane.

Live at "The Club" is a 1966 album by jazz musician Julian "Cannonball" Adderley. Cannonball Adderley's most popular album, Mercy, Mercy, Mercy wasn't actually recorded "Live at 'The Club'," as its subtitle says. But up until recently, female jazz artists have been few and far between in the male-dominated and at times rather sexist genre.Mercy, Mercy, Mercy! It received the Grammy Award for Best Instrumental Jazz Performance – Group or Soloist with Group in 1967. A spontaneous and interesting time worth rediscovering.Don Covay, ComposerLyricist - David Axelrod, Producer - Cannonball Adderley Quintet, MainArtist - Ronald Alonzo Miller, ComposerLyricistRoy McCurdy, Drums, AssociatedPerformer - Nat Adderley, Cornet, AssociatedPerformer - Sweet, Mastering Engineer, Remix Engineer, StudioPersonnel - David Axelrod, Producer - Cannonball Adderley, Composer, Alto Saxophone, AssociatedPerformer - Joe Zawinul, Piano, AssociatedPerformer - Cannonball Adderley Quintet, MainArtist - Victor Gaskin, Double Bass, AssociatedPerformerListen to over 50 million songs with an unlimited streaming plan.1 month free, then €19.99/ monthIn Germany they have their own Michel Legrand: his name is Peter Thomas! Cannonball Adderley's most popular album, Mercy, Mercy, Mercy wasn't actually recorded "Live at 'The Club'," as its subtitle says. Mercy, Mercy, Mercy! His eccentric film music left its mark on a whole generation of viewers in the 60s and 70s and since the 90s he has often been cited and sampled by young pop groups.

Cannonball Adderley's most popular album, Mercy, Mercy, Mercy wasn't actually recorded "Live at 'The Club'," as its subtitle says. Lakers by Freddie Gibbs and Madlib feat. The cult composer passed away on May 17th, 2020.

Mercy, Mercy, Mercy! Mercy, Mercy, Mercy! Adderley is remembered for his 1966 single "Mercy, Mercy, Mercy", a crossover hit on the pop charts, and for his work with trumpeter Miles Davis, including on the epochal album Kind of Blue (1959).